8 peak in May.Įlsewhere, “Money” debuts at No. Her newest hit is her second time in the top 10 this year, after “Seeing Green,” with Drake and Lil Wayne, also achieved a No.
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She initially cracked the code in 2010 as a featured guest on Usher’s “Lil Freak,” which rose to No. Minaj, meanwhile, picks up her 33rd visit to the top tier. The rapper’s other entry, her collaboration with Russ, “Best on Earth,” reached No. “Money” marks BIA’s second appearance on Hot R&B/Hip-Hop Songs in her career. The remix felt like an opportunity to do that, especially for fans of the show who’ve been wanting - and even making - this.Thanks to an assist from Nicki Minaj, BIA rallies to her first top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart as “Whole Lotta Money” zooms 40-6 on the list dated July 24 after its Minaj remix arrived on July 9. The fun of hip-hop is breaking shit apart and seeing what you can do with it. “My love of hip-hop, that’s woven into the whole show. For Kendall’s “L to the O G” rap at Logan’s plaque dedication in “Dundee,” the show used a beat Britell produced years ago, with a melodic motif that itself is a variation on a Bach C-minor prelude. It also helped that Britell, who previously composed Moonlight’s chopped and screwed score, is a big hip-hop head. It was really just a dope exercise, honestly.” “And so that’s what made the writing process fun, because I could use all of the street, gangster rap nuances and qualities and energy and incorporate it into the theme of the music.
On Succession, it’s involving family, it’s like, Whoa! It’s a bit more shocking,” Pusha says.
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“The greed, the resentment, the idea anybody is basically disposable - that’s a gangsta movie type of quality. (For the record, Push says he thinks Roman is the one to take over the company.)
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“It’s a free fall when I leave y’all,” Pusha snaps on the remix, perhaps showing his affinity for Logan. The title is “Puppets,” but it’s as much about the person pulling the strings. Pusha doesn’t rap about the Roy family specifically, but about the show’s themes: family and money, but also avarice, betrayal, and loving someone as you’re sabotaging them. For the remix, Britell made the sound bigger and bolder with more bass and hi-hat - “The bass probably shouldn’t be that big, it’s too big for itself,” Britell says - and adding a choral arrangement and a drop divine enough to bring a tear to mine eye. The result is exactly what you’d want from Pusha T rapping over a track as good as the Succession theme.
I think didn’t want to ask me to redo anything. “So I tweaked some things because the lines were a bit too detailed. “I was like, ‘How, I didn’t even see it?!’” he laughs. I said, ‘So I’mma go back, and I’m gonna listen to it, and I’mma just come up with some things.’”īritell was happy with his first pass, Pusha says, but someone else at HBO felt the lyrics gave away too many plot details from season two, which hadn’t aired yet. Then Pusha went into the studio: “ gave me this track, and I said all right. “We talked about the connection to power and its dynamic, issues writ large: struggle, pain, all of the things we could deal with,” Britell says. Pusha says he caught up on Succession’s first season and then Britell pitched him the remix. ”) He happened to meet Britell in Los Angeles, at a Pharrell recording session. (When I ask him about this comparison, he demurs: “I mean, I’m a little bit. Pusha T first heard about Succession from his manager, who said the rapper reminded him of Logan Roy.
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